Yesterday we
attended the Phaung Daw Oo Buddha Festival, which takes place every year at
Inle Lake, Southern Shan State. The festival includes a procession of 36 boats
rowed by hundreds of Intha men leading a huge barge in the shape of Myanmar’s
mythical Hintha bird. The Hintha carries four Buddha images around the lake for
26 days so that the villagers can pay homage. We joined the procession at
Nyaung Shwe where the images have resided for two days. They were carried
reverently from the monastery by a group of officials. People thronged both
sides of the road as each image on its own palanquin was carried to the quay.
We arrived at
the quay walking on pink lotus strewn carpets and watched the procession
arrive. The images are carried by dignitaries dressed in white: Shan trousers,
jackets and gaung baung, the special
hats they wear for official occasions.
One very old and
dignified man in white is helped along by men on either side of him. I was told
he was the sawbwa whose title used to
be hereditary, but now the community chooses a prominent member of the town.
The crowd
stopped jostling and some even stepped back in reverence, others strewed what
looked like white popcorn as offerings as the images were carried past. The
images appeared heavy as the men lowered them from their palanquins into the
boat. However, I was assured they weigh not much more than a kilogram. The
images are no longer recognisable as statues of the Buddha. They resemble, as
one person said, golden balls. Their rotund almost cuddly appearance is due to
the gifts they have been given over the centuries by the population. The gifts
are uniformly gold leaf.
The Hintha is
towed by another magnificent barge. When it nears the village of Mine Thauk the
rope will be cut and a good nat (nats are part of Myanmar’s spirit world)
will guide the boat into the village. A good nat or a miracle or a current? Who knows!
In the old days
the Hintha visited 6 villages in 6 days staying one night in each. Now the
procession visits 22 villages and takes 26 days. It stays a little longer at
Nyaung Shwe, because that is where the sawbwa
comes from.
As well as
Nyaung Shwe, the images will also visit Indein, Heyar, Nanthi, Nampan, Nyaungdaw
and Ywargyibanpone. The images must stay at least one night in each place. At
the end of the festival, the images must be returned to the Phaung Daw Oo
Monastery.
Boats are
skimming up and down the lake all vying for a good view of the Hintha. A boat
full of Pa-O women, in their distinctive green and blue turbans, are chanting
prayers in Sanskrit. A boat full of schoolgirls near them are doing the same.
At the front of
the procession longboats with about 60 men in each are rowing in the
distinctive Intha way. They row with one leg and one arm thus leaving the other
arm free to tend their nets. Along the way, families sit in their boats
watching the spectacular flotilla sail past. Some families have gifts to offer
to the Buddha.
The Hintha moves
off the quay into the main channel heading towards Mine Thauk. Our boatman revs
his engine and we are racing down a tiny channel made narrow by enthusiast
water hyacinth that grows all around the edges of Inle Lake. It is a scourge in
many parts of the world but the people here use it and other weeds as a platform
for their floating gardens.
We race on and
re-enter the main channel in front of the procession, which is now more than a
mile long. All the villagers have come in their boats to watch too. In all, there
are more than 100 boats. In addition to rowers, in the middle of each boat, are
dancers –all men, as no women are allowed on board. They are bowing and swaying
with graceful hand movements to the sound of traditional music of gongs and
cymbals. The excitement is palpable.
We see something
in the sky. Could it be a good nat
(or even a bad nat?) It turns out to be a drone, maybe taking
photos, someone suggests.
Men on the boats
wear uniform. All wear Shan pants and tunics, but some have white tunics along
with their cinnamon pants. Each boat has coloured umbrellas some white, some
green and some gold. Usually gold is reserved for royalty or funerals but here
it is allowed for decoration. Not all the boats are rowed by Intha: Shan
boatman row in the usual unremarkable way yet they seem just as tired when they
pass the entrance to the village of Mine Thauk and they relax on their oars and
simply drift to a halt.
In the time of
the early sawbwas there were five
images that toured the lake by boat. But on one terrible occasion a hurricane
erupted, the boat was swamped and one of the images lost. Everyone returned to
the Paung Daw Oo Monastery very sadly. But a good nat must have been present. because in the Monastery the people
found the missing image. Since that time the people thought they must leave one
image in the monastery to prevent hurricanes. So they left the one that had
been lost last time. Ever since only
four images are carried around each year and until the present time there have
been no more hurricanes.
Navy blue clouds
appear overhead. This is the end of the rainy season so we don’t expect a
hurricane and the fifth Buddha image is in the monastery - still it doesn’t
hurt to be careful so after the last boat of the procession passed we turned and
made our way back to Nyaung Shwe without even a drop of rain.
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