You could be
forgiven for believing you’d come to a fair when you arrive at the Ananda
Pagoda Festival in Bagan. There are roundabouts and slides for children, tall
men are playing volley ball in a temporary volley ball court and then there are
rows upon rows of temporary shops set up in lane after lane. You can buy
practically everything you might ever need and much that you don’t. Children’s
toys include sub-machine guns, furry teddy bears the size of a six year old and
mysterious little paper puppets which you could believe are dancing on their
own so clever is the man seated on the ground who is operating them. There is
every item of clothing including extremely modest pink bras and corsets that
would cover most of the body, woven longyis,
Shan shirts and tee shirts announcing ‘I am the best’ etc. Some stalls are
piled high with woven fabric in the different designs that belong to each of
the ethnic groups and to different regions of Myanmar. Nearby Pakokko is famous
for brightly coloured furry blankets, which are useful in January as nights are
cold in Bagan.
There are photo
stalls displaying photos of Aung San Suu Kyi and important men wearing the
traditional male head attire: gaung baung
which are caps with a jaunty upturned tweak on one side of the head. There are
smiling babies and many views over Bagan. And of course there is much
lacquerware as Bagan is famous for its lacquer workshops.
Bagan’s spires
still stand tall but many, including the Ananda Pagoda are enshrouded with
bamboo scaffolding - evidence of last years 6.8 earthquake. The Ananda was
built in the 11th century by King Kyansittha. He named it after one
of the Buddha’s closest relatives who was one of his disciples.
At the time of
King Anawratha, also the 11th century, but before King Kyansittha,
the Pyu people lived in what was then Pagan. They had done so since the 8th
century. They had their own religion and a distinctive appearance. Both males
and females wore exactly the same costume and they never cut their hair. The
only difference that might occasionally be discerned was that the men wore
tattoos on their thighs. King Anawratha tried to convert them to Buddhism but
they adamantly refused and for this they were sent away. They settled in nearby
Halin.
The statues of
the Buddha inside the Ananda are huge and imposing and yet at the same time loving.
There are eight mudras depicted by
the Buddha’s hand positions. The main four images here depict protection,
teaching, peace and the last where he is holding a lotus flower shows he wanted
to say something about the next life: that it should be beautiful as a flower.
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